Basho's thoughts on...
• Introduction to this site
• The Human Story:
• Praise for Women
• Love and Sex in Basho
• Children and Teens
• Humanity and Friendship
• On Translating Basho
• Basho Himself
• Poetry and Music
• The Physical Body
• Food, Drink, and Fire
• Animals in Basho
• Space and Time
• Letters Year by Year
• Bilingual Basho 日本語も
• 芭蕉について日本語の論文
• Basho Renku, 芭蕉連句
• Women in Basho
• BAMHAY (Basho Amazes Me! How About You?)
• New Articles


Matsuo Basho 1644~1694

The only substantial
collection in English
of Basho's renku, tanka,
letters and spoken word
along with his haiku, travel
journals, and essays.

The only poet in old-time
literature who paid attention with praise
to ordinary women, children, and teenagers
in hundreds of poems

Hundreds upon hundreds of Basho works
(mostly renku)about women, children,
teenagers, friendship, compassion, love.

These are resources we can use to better
understand ourselves and humanity.

Interesting and heartfelt
(not scholarly and boring)
for anyone concerned with
humanity.


“An astonishing range of
social subject matter and
compassionate intuition”


"The primordial power
of the feminine emanating
from Basho's poetry"


Hopeful, life-affirming
messages from one of
the greatest minds ever.

Through his letters,
we travel through his mind
and discover Basho's
gentleness and humanity.

I plead for your help in
finding a person or group
to take over my 3000 pages of Basho material,
to edit and improve the material, to receive 100%
of royalties, to spread Basho’s wisdom worldwide
and preserve for future generations.

Quotations from Basho Prose


The days and months are
guests passing through eternity.
The years that go by
also are travelers.



The mountains in silence
nurture the spirit;
the water with movement
calms the emotions.


All the more joyful,
all the more caring


Seek not the traces
of the ancients;
seek rather the
places they sought.



Basho Spoken Word


Only this, apply your heart
to what children do


"The attachment to Oldness
is the very worst disease
a poet can have."


“The skillful have a disease;
let a three-foot child
get the poem"


"Be sick and tired
of yesterday’s self."


"This is the path of a fresh
lively taste with aliveness
in both heart and words."
.

"In poetry is a realm
which cannot be taught.
You must pass through it
yourself. Some poets have made
no effort to pass through, merely
counting things and trying
to remember them.
There was no passing
through the things."


"In verses of other poets,
there is too much making
and the heart’s
immediacy is lost.
What is made from
the heart is good;
the product of words
shall not be preferred."


"We can live without poetry,
yet without harmonizing
with the world’s feeling
and passing not through
human feeling, a person
cannot be fulfilled. Also,
without good friends,
this would be difficult."


"Poetry benefits
from the realization
of ordinary words."


"Many of my followers
write haiku equal to mine,
however in renku is the
bone marrow of this old man."


"Your following stanza
should suit the previous one as an expression
of the same heart's connection."


"Link verses the way
children play."


"Make renku
ride the Energy.
Get the timing wrong,
you ruin the rhythm."


"The physical form
first of all must be graceful
then a musical quality
makes a superior verse."

"As the years passed
by to half a century.
asleep I hovered
among morning clouds
and evening dusk,
awake I was astonished
at the voices of mountain
streams and wild birds."


“These flies sure enjoy
having an unexpected
sick person.”



Haiku of Humanity


Drunk on sake
woman wearing haori
puts in a sword


Night in spring
one hidden in mystery
temple corner


Wrapping rice cake
with one hands she tucks
hair behind ear


On Life's journey
plowing a small field
going and returning


Child of poverty
hulling rice, pauses to
look at the moon


Tone so clear
the Big Dipper resounds
her mallet


Huddling
under the futon, cold
horrible night


Jar cracks
with the ice at night
awakening



Basho Renku
Masterpieces

With her needle
in autumn she manages
to make ends meet
Daughter playing koto
reaches age seven


After the years
of grieving. . . finally
past eighteen
Day and night dreams of
Father in that battle


Now to this brothel
my body has been sold
Can I trust you
with a letter I wrote,
mirror polisher?


Only my face
by rice-seedling mud
is not soiled
Breastfeeding on my lap
what dreams do you see?



Single renku stanzas


Giving birth to
love in the world, she
adorns herself



Autumn wind
saying not a word
child in tears


Among women
one allowed to lead
them in chorus


Easing in
her slender forearm
for his pillow


Two death poems:


On a journey taken ill
dreams on withered fields
wander about

Clear cascade -
into the ripples fall
green pine needles




basho4humanity
@gmail.com




Plea for Affiliation

 

Plea For Affiliation

 

I pray for your help

in finding someone
individual, university,

or foundation - 
to take over my

3000 pages of material,   
to cooperate with me 

to edit the material,
to receive all royalties 

from sales, to spread

Basho’s wisdom worldwide,
and preserve for

future generations.


basho4humanity

@gmail.com

 



Article Search

Searched for ' ' :  271 articles found

Keyword:



201 - 250 of 271 : 1 2 3 4 5 6

Breastfeeding with Basho "That divine nourishment - the source from which we all draw, like a mother's breast, ever full and ever flowing."  Sarah Buckley;  Breastfeeding on my lap / What dreams do you see? - B ...
▶ Women in Basho   L-06

Mothers, by Basho "From her position as healer, Ma’s hands had grown sure, and cool and quiet." - John Steinbeck, The Grapes of Wrath.  A beautiful child / asleep on her lap - Basho  ...
▶ Women in Basho   L-07

A Year of Women “Spring passes and one remembers innocence. Summer passes and one remembers exuberance. Autumn passes, one remembers reverence. Winter passes, one remembers perseverance.”  Yoko Ono ...
▶ Women in Basho   L-08

Long Black Hair "I love my hair because it’s a reflection of my soul - said by Tracee Ellis Ross................ Wrapping rice cakes / with one hand she tucks / hair behind ear -  Basho   Here ...
▶ Women in Basho   L-09

Her Face "Life began with waking up and loving my mother's face." - George Elliot (Mary Ann Evans)  That my face / resembles my mother's / fascinates - Basho renku   L-1      ...
▶ Women in Basho   L-10

Attraction "That certain undefinable something directed my way by members of the opposite sex ... call it magnetism ... a kind of power that snares people and reels them in."   Haruki Murakami .... ...
▶ Women in Basho   L-11

Music and Song: "I know I'm stronger in the songs than I really am. Sometimes I need to hear it myself.  We all need to hear those empowering songs to remind us."  Beyonce. Basho reminds us of this ...
▶ Women in Basho   L-12

Miss Cellany "Although they were women, so the fame of their sturdy diligence shall be heard with awe in this world, we shed tears on our sleeves." -  Basho        L-1  ...
▶ Women in Basho   L-13

Woman's Love: "The beauty of a woman must be seen from in her eyes, because that is the doorway to her heart, the place where love resides."  Audrey Hepburn.   Here are 25 Basho love poems.&nbs ...
▶ Women in Basho   L-14

Marriage For Women "May you enjoy till the end your wife's unchanging kindness."    Message from Basho's Will, from Basho's heart,  to his old friend Jokushi, November 26, 1694.   ...
▶ Women in Basho   L-15

She Has a Name Basho writes poetry of four women: his god-daughter Kasane, followers Uko and Sonome, and Sei Shonagon, 11th century author of the Pillow Book. He makes them come alive today. For two more ...
▶ Women in Basho   L-16

Women in Buddhism ”I feel that chanting for thirty-five years has opened a door inside me, and that even if I never chanted again, that door would still be there. I feel at peace with myself.”  Tina Turner ...
▶ Women in Basho   L-17

Oppression of Women “Criticism of women’s intelligence, autonomy, and moral worthwas essential to the total subordination of women that society demanded.”   Historian Tokuza Akiko x ...
▶ Women in Basho   L-18

Death and Near Death "If I think more about death than some other people, it is probably because I love life more than they do." Angelina Jolie.  Basho also loved life and explored death; here are 20 haiku and renku. ...
▶ Women in Basho   L-19

Brothel Slavery “As white waves strike the shore drifting along,  in the world of prostitution reduced to misery, our vows inconstant, how did our everyday karma become so wretched?”  ...
▶ Women in Basho   L-20

After Having Measles In 1691, with no scientific education, Basho recognizes the essence of immunology: measles leaves “traces” (i.e. lymphocytes) which prevent this disease from occurring again in this body. ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-01

Sake and Breasts Here is a Basho renku about two very popular elements of culture: rice wine and and woman's breasts. How did Basho 330 years ago put these two elements together to please us?   &nb ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-02

Breastfeeding on my lap In 1692, 100 years before feminism began in Mary Wollstonecraft's Vindication for the Rights of Women, Basho in his patriarchal society produced this exquisitely feminist poem:  ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-03

One Soft Chubby Tush Basho actually wrote a fun-filled renku stanza about a baby’s rear end -- probably the only such verse in world literature.  BAMHAY!  Basho Amazes Me!  How About You? . . .  ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-04

Basho on Sexual Passion: Confucius said : “When young, do not let your future be decided by hot blood”  and here Basho shows us his awareness of consequens of young people followiing their desires. ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-05

Engulfed by Passion Engulfed by passionto kill younger brother Sound at nightthe pine wood doorhe pries open   The first poet with only a half dozen words creates a scene of extreme emotion and terrifying po ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-06

Two Basho Renku on Make-Up and Dress: It amazes me that Basho – unlike any male author in world literature – paid so much attention to the feminine pursuits of make-up and clothing. How about you? Winter solstice on porchmy ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-07

Basho's Mona Lisa: 1)  Simple observation: no abstractions or judgements  2) Focus on a women. 3)  Specific body parts 4)  Lively active verbs specify physical actions:     ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-08

Mother and Daughter IV In a single renku link, Basho brings together the power in a woman's hair, her power workng for her family, and her succession of light and power to her daughters..........   By ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-09

She Adorns Herself Basho, more than any poet in World Literature, expresses the power of the female to give life  as in this renku of 1683 where his second stanza fulfills the first stanza by another poet:   ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-10

Follow the Drinking Gourd Tone so clear the Big Dipper resounds her mallet   Before cotton entered Japan in the 16th century, and then where cotton was unavailable, villagers (i.e. women) made their family’s cloth ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-11

To a Newborn Baby Girl: In the spring of 1690, Basho was asked to name a newborn girl; he called her “Kasane” which means "to pile up in layers" or "to occur again and again, in succession." and wrote this t ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-12

Mother and Daughter I: Basho weaves together the themes of poverty, being a single mother, music, and hope in this masterpiece of renku anthropology. Another poet begins and Basho follows:    With her needle in ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-13

Mother and Daughter II A scholar who knows not Basho's renku, claims that Basho was “at times, cold-hearted, inhuman” – however the renku unknown to him contain much itawaru, caring for others.& ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-14

The Eternal Mother The link – thoughts taking us – from first stanza to Basho’s reveals the vastness of his genius. Only Basho creates a link such as this, so personal and bodily yet so full of heart:& ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-15

Can I Trust You? Most “play-women” in this era were young village girls indentured to a brothel to save the family from financial ruin. Brokers went to areas struck by famine, searching for “bargains ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-16

Death of Father Written in 1687, can this stanza-pair reach the heart of one – girl or boy – whose parent died in war, terrorism, or police brutality.  Another poet begins and Basho follows:  ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-17

Empowered by Song One of Basho's most empowering renku links is:  Her semblance of power pebbles thrown in vain  Among women one allowed to lead them in chorus    His boat h ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-18

Tigress at Daybreak The "tigress" in this Basho renku may be animal or human. Daybreak is the Sun-Goddess giving birth to the day and maybe to life in tigress’ belly. Basho pays attention to the female. . . ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-19

Love poem by Basho The boss pretendsnot to see their loveyet he knows Figures half-hiddenbehind the umbrella   Walking together in town, the lovers are surprised to see her (or their) boss coming the other ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-20

Haiku and a Child's Face Basho wrote these two stanzas together in 1688: Before my eyesthe scene just as ismakes a haiku -- As a child turns sevenface becomes clear   Me no mae no / keshiki sono mama /shi ni tsukuru ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-21

Fear and Sexual Assault: In 1688 another poet and Basho wrote this renku stanza-pair: Not getting upI recognize his smelland am afraid Wiping the sweat fromsidelocks in disarray   As he enters the room, she recogni ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-22

Mother and Daughter III In 1690 Kyokusui begins and Basho follows: From slender threadslove gets so intense! Though my thoughtsare of love, “eat something!”she commands me   Love starts out simple but ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-23

Boy's Mischief Knocking on back doorand running away home She cries and crieswith never a conclusionto her hiccups   妻戸たたきて / 逃げて 帰りぬ泣く泣くて /しゃくりのとまる / 果て も なし   Tsumado tatakite / nigete kaerinuNaku n ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-24

Young and Helpless Young and helplesswith bow and arrows,the boy kneels White hair seen throughgaps in bamboo blind   The newest student at an archery dojo kneels on the floor, feeling small and weak. To this we ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-25

Woman in the Center Absurdly long sword /hangs from his waistEvening dusk /startled by a frog /in thick grass To pick buds of coltsfoot / lantern shaken goes out   Kyorai begins this trio with a man and his pha ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-26

Energy From Basho The 17th century Japanese poet Basho was a master of renku, poetry composed by a group of poets, each  writing a stanza linked to the stanza by another; he told his follower D ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-27

The Night Before a Battle In the cold windat sunset, long drawn-outcries of hawks Foretell the heads to fallin tomorrow’s battle   Kaze samuki yuuhi ni /kari no koe hikiteIkusa ni asu no / kubi o uranau   ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-28

Cat Sex She resents the snarlingcries of cats fighting High on top,low on bottom, howlove is done   Cats and humans do it the same way: as a struggle for dominance and being on top. Not only in sex ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-29

Love in One Basho Renku A single renku stanza, without the baggage of the previous stanza or the very different baggage of the following stanza, can apply to a wide range of circumstances: For instance, this stanza ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-30

Are You Stoned? Evening dusk, going back for the pipehe left behind Rice maidens for fun throw mud at eachother   A traveler took a break to sit and smoke his pipe; the verse does not say what he was s ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-31

Beating Down Women and Girls Feminist Tokuza Akiko says that in Basho’s time and society, “criticism of women’s intelligence, autonomy, and moral worth (was) essential to the total subordination of women tha ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-32

Fickle one! Boncho begins,  Basho takes the middle, and Kyorai concludes:  His carriage pulls inthe neighbor’s gateway “Fickle one,under hedge of spikesyou must crawl!” Now, before ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-33

Basho's Most Erotic Haiku On his journey to the Deep North, he is in Obanazawa, a town famous for growing safflowers and producing the orange-red dye used in make-up and to color a woman's under-kimono. A red und ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-34

Sword Drawn in a Flash Dew for his opponentsword drawn in a flash Town notablestogether getting drunkunder blossoms   Basho uses the word iai for a practitioner of the martial art we now call iaido, the art of ...
▶ BAMHAY (Basho Amazes Me! How About You?)   M-35


201 - 250 of 271 : 1 2 3 4 5 6
Basho's thoughts on...
• Introduction to this site
• The Human Story:
• Praise for Women
• Love and Sex in Basho
• Children and Teens
• Humanity and Friendship
• On Translating Basho
• Basho Himself
• Poetry and Music
• The Physical Body
• Food, Drink, and Fire
• Animals in Basho
• Space and Time
• Letters Year by Year
• Bilingual Basho 日本語も
• 芭蕉について日本語の論文
• Basho Renku, 芭蕉連句
• Women in Basho
• BAMHAY (Basho Amazes Me! How About You?)
• New Articles


Matsuo Basho 1644~1694

The only substantial
collection in English
of Basho's renku, tanka,
letters and spoken word
along with his haiku, travel
journals, and essays.

The only poet in old-time
literature who paid attention with praise
to ordinary women, children, and teenagers
in hundreds of poems

Hundreds upon hundreds of Basho works
(mostly renku)about women, children,
teenagers, friendship, compassion, love.

These are resources we can use to better
understand ourselves and humanity.

Interesting and heartfelt
(not scholarly and boring)
for anyone concerned with
humanity.


“An astonishing range of
social subject matter and
compassionate intuition”


"The primordial power
of the feminine emanating
from Basho's poetry"


Hopeful, life-affirming
messages from one of
the greatest minds ever.

Through his letters,
we travel through his mind
and discover Basho's
gentleness and humanity.

I plead for your help in
finding a person or group
to take over my 3000 pages of Basho material,
to edit and improve the material, to receive 100%
of royalties, to spread Basho’s wisdom worldwide
and preserve for future generations.

Quotations from Basho Prose


The days and months are
guests passing through eternity.
The years that go by
also are travelers.



The mountains in silence
nurture the spirit;
the water with movement
calms the emotions.


All the more joyful,
all the more caring


Seek not the traces
of the ancients;
seek rather the
places they sought.



Basho Spoken Word


Only this, apply your heart
to what children do


"The attachment to Oldness
is the very worst disease
a poet can have."


“The skillful have a disease;
let a three-foot child
get the poem"


"Be sick and tired
of yesterday’s self."


"This is the path of a fresh
lively taste with aliveness
in both heart and words."
.

"In poetry is a realm
which cannot be taught.
You must pass through it
yourself. Some poets have made
no effort to pass through, merely
counting things and trying
to remember them.
There was no passing
through the things."


"In verses of other poets,
there is too much making
and the heart’s
immediacy is lost.
What is made from
the heart is good;
the product of words
shall not be preferred."


"We can live without poetry,
yet without harmonizing
with the world’s feeling
and passing not through
human feeling, a person
cannot be fulfilled. Also,
without good friends,
this would be difficult."


"Poetry benefits
from the realization
of ordinary words."


"Many of my followers
write haiku equal to mine,
however in renku is the
bone marrow of this old man."


"Your following stanza
should suit the previous one as an expression
of the same heart's connection."


"Link verses the way
children play."


"Make renku
ride the Energy.
Get the timing wrong,
you ruin the rhythm."


"The physical form
first of all must be graceful
then a musical quality
makes a superior verse."

"As the years passed
by to half a century.
asleep I hovered
among morning clouds
and evening dusk,
awake I was astonished
at the voices of mountain
streams and wild birds."


“These flies sure enjoy
having an unexpected
sick person.”



Haiku of Humanity


Drunk on sake
woman wearing haori
puts in a sword


Night in spring
one hidden in mystery
temple corner


Wrapping rice cake
with one hands she tucks
hair behind ear


On Life's journey
plowing a small field
going and returning


Child of poverty
hulling rice, pauses to
look at the moon


Tone so clear
the Big Dipper resounds
her mallet


Huddling
under the futon, cold
horrible night


Jar cracks
with the ice at night
awakening



Basho Renku
Masterpieces

With her needle
in autumn she manages
to make ends meet
Daughter playing koto
reaches age seven


After the years
of grieving. . . finally
past eighteen
Day and night dreams of
Father in that battle


Now to this brothel
my body has been sold
Can I trust you
with a letter I wrote,
mirror polisher?


Only my face
by rice-seedling mud
is not soiled
Breastfeeding on my lap
what dreams do you see?



Single renku stanzas


Giving birth to
love in the world, she
adorns herself



Autumn wind
saying not a word
child in tears


Among women
one allowed to lead
them in chorus


Easing in
her slender forearm
for his pillow


Two death poems:


On a journey taken ill
dreams on withered fields
wander about

Clear cascade -
into the ripples fall
green pine needles




basho4humanity
@gmail.com




Plea for Affiliation

 

Plea For Affiliation

 

I pray for your help

in finding someone
individual, university,

or foundation - 
to take over my

3000 pages of material,   
to cooperate with me 

to edit the material,
to receive all royalties 

from sales, to spread

Basho’s wisdom worldwide,
and preserve for

future generations.


basho4humanity

@gmail.com